Ep. 03
We join a small gathering of friends on a balcony: Fran to your left, Sid and Moon to your right. It’s an early summer evening; the air is filled with birdsong and the sound piece Fuengu (2021) by Hong-Kai Wang. For this project, the artist explored the musical heritage of the family of Tsou Taiwanese composer Uong e Yatauyungana, using listening as a way to get to know the Psoseongana landscape. How can we listen in a non-extractive way? Can I hear without interest? Listen without taking anything away? And is there a way of hearing that is better – or worse? Who decides?
